I never thought I’d be so grateful for my lack of direction, but while searching for the stone carving room one day in High School, I wandered into the clay studio, and that day changed my life.

Clay continues to be a driving force in my life, we have traveled many paths together, functional potter, teacher, and now, Animal Sculpture for the home and garden.

I work in stoneware clay. Each piece begins with the belly of the animal. From there, I add coils and continue to paddle and stretch the clay into form. It can be slow and contemplative while I find the gestures and expressions that arise from the companion-like temperaments of these animals. This is an intimate time and I feel challenged and excited by the process of transformation.

The animals are fired in a variety of kilns, but I especially love the anagama firing for the depth and beauty it imparts on the animals. The pieces you see have been fired for seven days with wood and a team of people; the patina is a kiss of fire and ash. The woodfiring also helps shift me from working solo to building a community with other potters. During my time with Joy and so many other potters, I find we are re-inspired and look forward to this time in our lives together.

It is my hope to create works that quietly engage the viewer, while creating an air of curiostiy and calm. I see these animals as guardians of the land.